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tollboothmusic |
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Every now and then i'm asked who are the guitarists i admire or was inspired by in my early days - so i thought i'd just put a little page together with a few things you might like to listen to to get a flavour of the folk who have shaped and driven my playing over the years. |
EARLY INFLUENCES
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WHO |
WHY |
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Alex
Lifeson - Rush
Lifeson has such an amazing role in the band, his hooks, leads, rhythms, textures, invention & innovation are all truly remarkable. An astounding all round guitarist |
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Scott
Gorham - Thin Lizzy
Gorham was the first guitarist who made me realise the value of guitar tone. He also wore a very cool black & white jacket! |
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Gary
Moore
As far as I was concerned, the first uber-guitarist. Moore's sheer speed and fretboard agility left a young axeman totally bewildered. |
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Django
Reinhard
Reinhard was a great guitarist before an accident which nearly ended his career, but the fact that he kept playing and writing these great gypsy melodies is just pure inspiration. |
| Steve
Stewart - The Enid
Deeply underated player - but inspired me to be so much more artistic in my approach to playing - not only the notes, but also the performance and expression. Stewart's perfect guitar foil to Godfrey's classical profusion just blend so beautifully. His phrasing is bold and passionate yet sensitive and his control exceptional.
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Nik
Kershaw (yes!)
Great sounds, tight accurate playing and the boy can write a tune. Taught me a lot about melody and power pop. Good, well placed riffs taught me that solos are not the only way for a guitarist to shine through. |
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Kevin
Peak - Sky
Much of my big sustained sailing notes with big gain are the fault of Peak. He had this chunking great Gibson L5S and an ElectroHarmonix Big Muff, and the combination was notes that sustained for weeks on end. |
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Steve
Vai & Joe Satriani
Oh come on - you didn't expect me to leave them out did you? But only in the last 7 or 8 years or so. Though they are celebrated very easily by some media, the influence of Vai & Satch I feel is a little more complex. Vai has brought a new spirituality to guitar playing as an artform, and though some of his ideas may seem deeply left-field, they are well worth persevering with. Vai has brought meditation and reflection to the guitar world along with the more obvious technical excellence of accuracy and composition. Satch has always struck me for his mastery of tone & control. Satch also brought damn tootin melodies to a world otherwise jaded by indulgent rock guitar solos. |
WHEN DRUMS STOP.. VERY BAD.. GUITAR SOLO STARTS!
| SOLO | ALBUM | WHO | WHY |
| Limelight | Moving Pictures | Alex Lifeson
(Rush) |
Sheer fluidity
and 'rightness' within the song
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| Available Light | Presto | Alex Lifeson | Fine two part
solo, first part has a wonderful life & song lifting energy - second
part very simple arpeggio - beautiful.
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| Warm Regards | Firegarden | Steve Vai | A Vai slow
burner - very lyrical, very evocative
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| Touching Tongues | Sex & Religion | Steve Vai | Astoundingly
creative use of delays but fantastic little piece anyway.
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| Always With Me, Always With You | Surfing with the Alien | Joe Satriani | Always hear
this as the musical equivalent of a genuinely romantic evening. Always
makes me smile.
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| Still In Love With You | Live & Dangerous | Brian
Robertson & Scott Gorham
(Thin Lizzy) |
One of the
first solos to convince me hat guitar solos need not be entirely
indulgent.
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| Roisin Dubh | Black Rose | Scott Gorham & Gary Moore | Forget Flatley,
these guys really knew how to make Irish music sexy. Astounding speed
and accuracy in this inspiring guitar duel.
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| Easter | Season's End | Steve Rothery
(Marillion) |
Great emotion,
astounding tone (is that really a Strat?). All the more impressive
when you realise this was Rothery's first improv take! Great player -
fine composition.
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| Something Wicked This Way Comes | same | Steve Stewart
(The Enid) |
The solo rises
from a reprise of the album's theme & Stewart summarises it all so
beautifully. There is drive and passion and deep deep emotion in
his piece.
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| In The Region... | In the Region of the Summer Stars | Steve Stewart | Stewart has
this amazing gift of drawing immense passion from passages of
tranquility and this is signature Stewart.
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| Profession of Violence | The Wild, the Willing & the Innocent | Paul Chapman
(UFO) |
Not a name
that usually comes to the fore of lead players, but this solo highlights
how good a jobbing guitarist Chapman is - solos are rare, but delivered
with power and passion when he deems them necessary.
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| Mother Earth | Blizzard of Oz | Randy Rhoads | Difficult
choosing a Rhoads solo as i think you have to listen to his entire
recorded body of work to get a true feel for the true genius that was
the late Randy Rhoads. This just happens to be one of his more
pyrotechnical ones with some great little tricks in it - screams and
chirps etc.
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| SATO | Diary of a Madman | Randy Rhoads | SATO is one of
my fave Ozzy 'pop' songs and this is just a great topping to it.
Perfect fit in the song.
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| Gypsy Girl | n/a | Colin Muinzer
(Cruella de Ville) |
Where did this
band go??? For me - Colm Muinzer was the other great irish
shredder! A truly astounding player. His speed & sheer agility
are remarkable.
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| Purple Rain | Purple Rain | Prince | Hugely
underated as a guitarist, I think this is one of the piece's that
displays that perfectly. Not just flashy, this has
genuine passion and finesse.
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| Analog Kid | Subdivisions | Alex Lifeson | I never
listened to much Van Halen, so this track was pretty much the first
divebomb trem i ever heard - it made me so want a guitar with a trem
after that! Great solo - pyro, octavers, divebombs, flangers the lot -
all with Alex's tact & decency!
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| Bird of Paradise | White Flames | Snowy White | White's
simplicity of set-up still yields this astounding tone - some beautiful
phrasing and great control have always drawn me to this track.
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| Faithful
(Meshell Ndegeocello) |
Bitter | David Torn | Torn has always been a great influence for his innovation and creativty in sound and phrasing and this short solo is a perfect example - the dirtiest of sustained notes rises from this very mellow, plaintive song and perfectly expresse the inward pain in the song. The tone is astounding and almost knocks the breath out of you. |
| Moonlight Shadow | Crises | Mike Oldfield | I love all of Oldfield's playing, again underated as a guitarist as such, and difficult to choose a favourite moment, but it has to be this one. I remember listening to this solo mid-teens for hours when i got the 12" single, marvelling at the bravado of such a clean guitar sound having so much life and drive in a solo. |